On The Other End Of Interviews

I've interviewed hundreds of interesting people over the years, and now, to be on the other end of the questions, is enlightening. The story of my book is intact--how it came about, the inside scoop--and yet I'll get a comment or question occasionally that interrupts my stump speech and gets me to think.

One woman, when hearing that I had a theatre major, immediately connected the structure of my book with that of a play. Of course!

Another journalist spent the first part of the interview speaking of a past divorce and how the book brought some of that back. I, the interviewee, sat and listened.

And one asked me what I hoped my readers would take from the book. I hesitated. I have been grateful for the wide range of responses, with wide encompassing the way that the journalist could work through his divorce, and a friend who lost her father as a teen saw herself. I can simply begin to tell the tale of the book, and people will cry. But did I plan any of this? No.

I wrote it because I had to. The story asked to be told. And I wrote it in a way that would serve that imperative best, not because I wanted to make people cry. I never wanted to exploit this tragedy; indeed, I was ready to pass on the project for fear that this would happen. And I'd never manipulate my readers.

But I do want you to think. I won't tell you what to think, but I'll put things out there, frame them in such a way that will force you to confront what it is you believe.

Here are how some other writers view my latest project:

recent newspaper article on FRAMES

a church denomination's website

And if you've read the book and want to tell me what you think, please visit and like the FRAMES facebook page.


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